Showing posts with label kindle. Show all posts
Showing posts with label kindle. Show all posts

Sunday, April 7, 2013

2012 Penguin English Library Moby-Dick

We ordered this book directly from the UK, from West Sussex to be exact, because, well, to be honest, we love love love the cover.  Its become increasing apparent by comments and traffic to this blog, that, for those who don't care so much for the text, the covers are their jam. 

We have no real desire to touch this book, the cover being so crisp and the binding fresh. But to read a few facts about the publication we had to peek inside. Gingerly, we opened it to ascertain the publication date, peeking in between the pages we were not too surprised to see printed on the bottom of the reverse of the title page that Penguin is committed to a sustainable future for their business, their readers and "our" planet. Phew, that means that no polar bears were harmed in the production of the series. Good for them. And we certainly hope they mean that, but not too strongly, because if you take that position to the extreme, it may make sense, to save the planet, to stop printing books and only provide e books, and that makes us uneasy, queasy really, a bit of spit up just came to our mouths.

Chapter LXXIX  The Praire

Has the Sperm Whale ever written a book, spoken a speech? No, his great genius is declared in his doing nothing particular to prove it. 

So Melville ascertains that the genius of the Sperm Whale is that he needs to do nothing to prove it. "do nothing to prove it."  Just because something can be done, accomplished, manufactured, engineered, or coded; just because some genes can be spliced, some car made with ridiculous amounts of batteries, or books can be published on tablets, that does not in and of itself mean it is genius. Penguin is right to worry about the planet, but we should worry about each other as well.  We don't need to prove to each other how genius we are.


Wednesday, December 14, 2011

Presentation at Emma Willard School

Last night we spent an hour at Emma Willard School, with a display of some of the collections highlights.

After a short talk, (below) the students in a question and answer period asked fabulous questions... truly a motivated and intelligent bunch.

"Have you read all the foreign language books?" one young lady asked. "Ha, no, sadly I can't read them. Like who reads Icelandic?"  The whole place erupted in laughter since the joke was on me, the young lady proved to be Icelandic. How utterly ironic.


Thanks to all involved for putting together this evening, it was an exciting and fun time!


Text of the talk:


“I write my name in books”

The Moby Dick Collection

Moby Dick was first published in 1851. There were perhaps 4 printings in the 1800’s. During  the 20th centurary there have been hundreds and hundreds.  I set out to collect them all.

My first copy was my boarding school copy. I was assigned to be read it in junior english lit. I didn’t read it. What are you nuts. It was ridiculously long, there was a lot of other work to be done and I didn’t have time to read the book, plus absolutly everyone said it was boring.

However, after graduating I kept all my books from school. Dragged them all over the place. And IN 1986 at the age of 36 I decided that was the year to read all those books I was supposed to read and didn’t. I read Jude the obscure, catcher in the rye etc.

That summer a business trip took me to Japan so I grabbed Moby Dick on the way out of the door to the cab.  The flight was like 20 hours so I read it on the plane,  found it very funny, amusing, Melville had the driest of sense of humor.  Some of that shows in Bartlby.

In  albany,  there was for many years a neat used book store around the corner. So I would buy my books there.   At some point I bought an illustrated moby. that gave me 2 copies… eventually I bought a sweet old leather bound one. And then one that was heavily underlined and read hard. I bought that.  Soon I had seven or eight different ones.

My son finally noticed my book shelf of MD s and asked me why I had so many and I said because I can….

It was then that I recognized that this was a collection, and I asked myself why don’t I see how many there are and how many can I buy.

Thru the internet I found that there were editions in foreign languages. I bought one, then two then

Many many

My only regret at this point is that I did not buy the Braile copy. Some day I will.

Soon an obsession was born.   I admit its weird … odd … unusual… I am unaware of any one else collecting just the same book in all the different printings, paper back hard cover. Forieghn language.

Often I am asked: isnt it all the same words? 

There are copies from every decade of the 1900’s there are about 200 different copies, there are  copies in Italian, chinese, japanese, icelandic, lituatian, dutch, german, spanish, french, check, and russian.

Some are illustrated some are not.

These are interesting to see how the illustrator chooses to depict Ahab, or Queguee.

The used ones are very interesting when there is underlining and notations. They gernerally are school copies.   You can see exactlay where the reader stopped reading. Sometimes you can find out what school they went to

They signed the inside cover and often put their put a dorm room under their name.  Google searching the dorm always brings up the school, cross referencing the alumni function you can find out what year and some times who the english prof was.  Sometimes the google search brings up the reader himself…. You find out where they are or what they did for a career. . . All because they wrote their name and dorm on the inside cover.

Now I have a collection of books that is unique.   You cant do this with a kindle…
The kindle is an electronic device assembled by machines,  that by its nature of impending obsolesence longs for the land fill, in a single object it can hold hundreds of books, that have a half life of just years, while a book is the product of hundreds of skilled craftspeople in addition to the author, the illustrator, the printer, the binder….  In its being it longs to be held by generations of readers who appreciate the combined efforts of that production team.


Bartleby is a story about free will.  Bartleyby exercises his free will by “perfering not to.” A negative free will.


I prefered not to read Moby Dick when it was assigned, what the conscquenses of that decesioin at the time were, must have been minor, I don’t remember.    But decades later that decision not to read the book turned around and I decided read it then.   And from that came a decision to buy more and more until The New York Times came to me to use some of them for their Sunday book review, and someone here at Emma saw that and asked me to come here and talk to you … and thus, my decision to prefer not to read moby dick in 1967 resulted me in talking to you today. 

 Here is my  copy of Bartleby,:  Great Short Stories of Herman Melville, 1969 

Who ever owned it once underlined and noted Bartleby… used two different pens…. From his phaseing he was not the first owner….  “narrator going wacko”  not the way we would have said that in 1969.

I only wish he had signed his name inside this book…  we will never know him..

By the way :  “Why DO we read?”

I like what Anthony Hopkins said in the movie “Shadowlands”, a movie about the life and love of C. S. Lewis, author of the Narnia Chronicles.   He said

We read to know that we arent alone.

We read to know that we arent alone.

Reading is a very very intimate process, between ourselves and the author. when you are reading you are talking with, maybe not a two way conversation but you are in the mind of the author.

I can be siting in my chair book in hand, my friends gone, my children living in boston and brooklyn, utterly and solidly alone, as if its the night before leaving school for christmas holiday, not a sole around I begin to read, and I am no longer alone,

Many many books have shown me ways  of life. When I read I see how someone does something , how someone reacts to loneliness, how they cope with despair  or how they find joy in the simplest things.  With a book you can stop and re read and think and absorb.

Why do we read ? We read so we know we arent alone.

Melvile wrote Bartley at Arrowhead, his farm outside of Pittsfield Mass.  Not 50 miles from here. in 1853, two years after he wrote Moby Dick .  that was 5 or 6 generations, ago


Page 50

The narrator is just getting to know this stange weirdo Bartley.
HE says:

“He lives, then, on ginger nuts, thought I; never eats a dinner properly speaking: he must be a vegetarian, then, but no; he never eats even vegetables he eats nothing but ginger-nuts.”

you’re a vegitarian You read these lines,  you know you are not alone, 150 years ago, people ate vegatarianly.  They have been doing it all along.  So you can go home and say Dad Im a vegitarian skip the turkey, - you become a bit more of a person. Slowly building internal strength. From reading…

Keep your books, write you name in them proudly… and give your kindle to you little sister, she’ll love you for it, till she figures out the brillance of why you gave her the kindle and you kept the books,  and then she’ll idolize you. ..


Thanks



Tuesday, October 11, 2011

New York Times Book Review


The other day we got an email from Laura O'Neill, Photo Editor, The New York Times. Seems they needed some books for an upcoming cover of the New York Times Book Review.  They are planning some sort of MD cover.

Heck ya!

So the above photo shows Nathaniel Brooks, New York Times Photographer, shooting covers of The Moby Dick Collection editions, many of which have been featured in previous blog posts.

The up coming cover will be made up of these photographs from this MOBY DICK COLLECTION!

On the left is a Currier and Ives print of "Little Willie" which had been in White Foam for years. That PRINT is about 150 yrs old.   Its all been kind of a weird and fun summer.

Oh yea, and in 50 years if the NYT Book Review wants to feature covers of Moby Dick, The Moby Dick Collection will still exist (we have made provisions) and be ready to supply, but most of the kindles, IPADs, Nooks, that exist today will be in the land fill, and the Moby Dick edition on them is just digital. Its just digital.

We love ink.

Just got word from the NYT that the 10/23 edition will contain the photos of the covers and there will be a slide show on line beginning a day or two earlier. !

Friday, July 8, 2011

1988 The Northwestern-Newberry Edition MOBY DICK

This is the collection's Northwestern Newberry Edition of Moby Dick.

In Moby Dick circles this is the accepted text for the novel. The editors, Hayford, Parker and Tanselle, aimed at presenting the text as near as Melville's intention as the "evidence permits."

I purchased this book new in 1988, and long before the nugget of The Moby-Dick Collection was found.

Whenever I look at this book I remember 1988 as a watershed year in my life. The year I lay about the pool reading Jude the Obscure, already noted. The year I bought my first business and the unfortunate year of my separation and ultimate divorce from the mother of our children.

Perhaps, in buying this book, I knew I was beginning a quest of sorts myself.

This book reminds me too that 1988 was the year I declared my love to the second of the three great female loves of my life. She left my life in 1991 and I never have spoken or acknowledged her since, except to a very very small number of intimate friends to whom I have detailed her importance in my life.  It is only recently that I have begun to talk openly about my love of her with people who knew her. People who are not intimate friends of mine, but friends non the less.

Such is the journey of peoples lives: complex, wonderful and ever changing. Some call it baggage, I think it is fascinating.

This blog was meant to be a catalogue of books, aimed at highlighting the importance of the printed bound volume in contrast to the temporary fleeting electronic media.  However, I feel that when a book has a personal connection and meaning, I need to divulge that as well. In cataloguing these books as not only objects but objects with meanings and memories the purpose of the blog achieved.

Friday, June 24, 2011

1926 Modern Library Moby-Dick - Two Prizes

Here is the 1926 Modern Library Moby-Dick, classic red cloth cover from the house of Bennett Cerf, already covered in a previous post.

On the inside is a large award plate from the Halifax Academy, June 19, 1942 given to Douglas Rogers, for the Grade 10 prize in mathematics.

A search from Halifax Academy failed to produce anything for the school, only the motto E Mari Merces confirms the connection with Halifax Canada.

In thinking about this volume, given 69 years ago to a young Doug Rogers, we pondered how proud he must have been to receive it. We can see him walking up to the person who today would be called "head of school", shaking their hand and almost defiantly walking back to retake his seat among his peers.

We then recalled a similar award, given almost 19 years later to the editor of TMDC, who remembers all too well the elation he felt when he received the Armstrong Award at the Sheppard Knapp School, outside of Worcester Mass. - now defunct.  The Armstrong award was given in memory of a lad who fell from a tree to his untimely death. The precise characteristics of the children who received the award were always a mystery, it was not academic nor sports related. Now it could be said it was a catch all kind of thing, given to some kid otherwise left out of the award stream, perhaps too shy to have close friends, too normal to have successes in sports, too smart to excel in main stream academics. But a likable child non the less, a child everyone would agree was a good kid.

The letter in Olson's Small Boat Seamanship, with yellowing tape, is in the controlled precise and neat hand of Mrs. Halkyard, the wife of the Headmaster, and the woman who began Mr. Pettit's latin journey. There is a decided left learn to the letters, signaling perhaps left handedness, and an erie hand writing quality that is exactly similar to little Billy Pettit's own left handed mother's precise, controlled and neat handwriting.

We will assume that if the Armstrong Award were given today, or the Halifax Academy X Grade Math Prize for that matter,  in the form of an ebook, 40 years from now, that E Book would no longer function. It would have been recycled or jettisoned into the land fill long before. The memories just that, vague memories of a lad proudly receiving yet another electronic device, cutting edge for the moment. Fleeting... gone... dust... nothing left to share.


Monday, April 18, 2011

The Unexpected Weekend in New Haven

My father, as he has in the past, sent me last weekend as his emmissary to the annual meeting of an ancient New England Society, one that my dad has been a member of for decades. This society is dedicated to preserving the printed American page thru 1871.

One year, I had the pleasure of going to the Grolier Club in New York and viewing that awesome building and collection.

This year, I traveled to New Haven. The Society held its annual meeting in the Yale Center for British Art, and I can not say enough about that collection. Constable is one of my inpirations as a painter and there is a plethora of his sky paintings there.

One of the nights, the Society was the guest of Prof R... for drinks and dinner and were welcomed into his home. I arrived to a lovely home, gracious wife, beautiful food, lovely friends...

Completely unexpected, I walked over to the bookcase shown above. Heretofore, I had not the inkling of what I was in for: as I gazed at these bright leather books and protective cases, one name popped out: Melville, and titles: Ommo, Typee and of course Moby-Dick. These were not the mundane volumes I own, but first editions, not just one, but several, not just Moby-Dick but all of the titles. There was the first British edition of Moby-Dick... and Rockwell Kents, not the ho hum one I have but the "3 in the can", and even the presentation set in pig skin, I believe he said it was pig skin. He did say there were only 6 in existence. I held in my hand not just the English first edition but that presentation Rockwell Kent.

I stood there stunned and at a loss for words, then I noticed small bindings, thin things, and as I realized what I was looking at, I said incredulously: "Are these Melville letters?"

"OH, yes Bill take a look, just dont spill anything on them" Prof R said...

Gently I took one of the many small leather folders off of the shelf and opened it up. In my hand I held a letter written by Herman Melville. I was so awed that I failed to take note to whom and about what. It did not seem to matter anymore, I was speechless.

At the time I really didn't know what to say about this experience, other than this: one of the other guests, a historian of some note said to me later that night: "this is the beauty of the private collector, you can touch things."

To Prof R, I will be forever in his debt and can never repay his kindness....

As for the future of my Moby-Dick Collection... for obvious reasons my collection will never be the kind of collection which I saw on Friday night. But as I drove home and reflected on my collection it became more and more apparent to me that my mission has been and will always be to collect the pedestrian, the mundane, the humble. As I explained it over the phone to LG, during the homeward bound trip, the Moby-Dick Collection blogged about here is a combination of Ray Bradbury's Farenhiet 451 and the Land of the Lost. My mission is to buy everything I can as fast as I can. Because of the Kindle and Nook and I Pad, there will be a day when there are no more paper backs available. We as a society love to throw stuff out and the paper backs will be the first to go. I will have a collection of those paper backs and hard covers, the ones that Prof R doesnt have... The mission is to save the dust jackets, the covers, the type, the illustrations, and the underlining and notes taken... the individuality of each book, once owned and once read...

And of course, when I show my humble collection to friends and visitors, Just as Prof R did for me..I have always, always given them the volume to hold as I point out some quirk that takes my fancy..... Now I know why I do that.... . We, individuals, are not institutions, what we own we own to preserve and share. Hopefully we make a difference. I am unaware of a museum that started organically without the backing of a collector.

Please comment . . . Thanks - BP

Monday, January 10, 2011

1947 Oxford University Press Paperback, Moby-Dick


The Collection has 3 copies of the 1947 Oxford Moby-Dick. This is the paper back copy, there also are two hard back copies, one is the delux edition.

All three are identical and the inside covers front and back, have a nice map with the route of the Pequod...

Look at the cover art, poor Moby Dick has some what of a frown with a rather oversized harpoon jammed in his back. So art deco-ish..

There is a section at the end of the book of pictures, diagrams, and assorted related material of whaling... not especially useful, but interesting none the less.

How does the cover art on your kindle version of Moby Dick move you?